Virtual Can*Con



April 18, 2026

9:30AM - 7:30PM EST
Online

Virtual Can*Con is your spring destination for taking part in amazing content, connecting with the community, and meeting new people! Hosted on Zoom and Discord, this one-day event is a great way to get inspired while staying home in your pajamas. Our first spring Virtual Can*Con on April 20, 2024 was a huge success, and we’re looking forward to doing it again on April 18, 2026.

This year’s theme is “disruption”. Disruption is about exploring, dissecting, and upending systems, whether in writing, in publishing, or in society at large! We want to host discussions about disruption of craft, disruption of narrative, and disruption of expectations. We also hope to look at important explorations in recent works around revolution and resistance.

Featuring Special Guests

Suzan Palumbo

Suzan Palumbo

Suzan Palumbo is a Trinidadian - Canadian, dark speculative fiction writer and editor. Her writing has been nominated for the Nebula, Aurora, World Fantasy and Locus awards. She also cofounded the Ignyte Awards with L.D. Lewis and coedited the special Caribbean issue of Strange Horizons Magazine. In 2025 she won a Locus Award for her work with the Ignytes. Her debut dark fantasy/horror short story collection "Skin Thief: Stories" is out now from Neon Hemlock. Her novella "Countess", a nebula award finalist, was published by ECW Press in September 2024. Her work has been published in Room Magazine, Lightspeed Magazine, Fantasy, The Deadlands, The Dark Magazine, PseudoPod, Fireside Fiction Quarterly, PodCastle, Anathema: Spec Fic from the Margins and other venues. She is officially represented by Michael Curry of the Donald Maass Literary Agency and can be found on instagram @gothicsyntax. When she isn’t writing, she is often listening to new wave, talking about vampires or wandering her local misty forests.

Natalie Zina Walschots

Natalie Zina Walschots

Natalie Zina Walschots is a writer and game designer. She is the Author of Hench , a novel about the mistreated and undervalued employees of supervillains. The direct sequel, Villian, will be released in May 2026. Hench was a finalist on the 2021 season of Canada Reads and was nominated for a Locus Award for Best First Novel. Natalie is the Narrative Director at Double Rex Studios, currently at work on a demo for their debut title, Thumbsplitter. Her work also includes LARP scripts, heavy metal music journalism, video game lore, and weirder things classified as "interactive experiences." Her poetic exploration of the notes engine in Bloodborne was featured in Kotaku and First Person Scholar, and her writing on the interactive adventure The Aluminum Cat won an IndieCade award for Innovation in Experience Design. She is (unfortunately) the author of two books of experimental poetry: Thumbscrews, which won the Robert Kroetsch Award for Innovative Poetry, and DOOM: Love Poems for Supervillains. Natalie plays a lot of TTRPGs, participates in a lot of Nordic LARPs, watches a lot of horror movies and reads a lot of speculative fiction. She lives in Nova Scotia with her partner and four morally bankrupt cats.

Schedule


Writing Groups to Propel Your Career

9:30am-10:20am

What do you need from your writing group in order to grow as a writer — or, how do you run a writing group that successfully empowers its members? As Dr. Felicia Rose Chavez highlights in her work The Anti-Racist Writing Workshop, it’s worth re-examining traditional writing models to see if they’re really working for you. What are the advantages of doing a group cold read, versus adopting a more democratic feedback model? What is gained by focusing on holistic support among members, rather than just the words — and how do you manage that practically? And how do you identify when a particular group’s structure is just not what you need?

Normal People Scare Me: Abnormality in Horror

11:00am-11:50am

Horror thrives on the strange and unnerving. In doing so, it has the opportunity to really examine what we experience as normal (or abnormal), and to deconstruct those terms. How do we go about creating scenarios, settings, and monsters that are truly scary, and allow us to disrupt dominant narratives about normalcy? What considerations go into these creations? How do we complicate ideas of normalcy in ways that are new and interesting, without just relying on old standbys of “abnormal = scary”?

Sex, Gender, & Society in Historical Queer SpecFic

12:30pm-1:20pm

Queer speculative fiction has always been here, and in a time of increasing restrictions on LGBTQ+ expression in art, it is more important than ever to understand and appreciate those who came before. How do works like Oscar Wilde’s The Picture of Dorian Gray, Virginia Woolf’s Orlando, or Jewelle Gomez’ The Gilda Stories explore queerness within restrictive societies? What do these stories still hold for us in 2026, and what can we learn from them and the authors who brought them to life?

Revolution Is Not For The Sane

2:00pm-2:50pm

Rebellions and revolutions are frequent parts of our stories, but how much do our fictional rebellions resemble real insurgencies and revolutionary uprisings? How do we responsibly draw inspiration from the Haitian Revolution, the Scottish Wars of Independence, or the Red Turban Rebellions? What messages can our fictional revolutions carry to readers, and how can they help us understand and meet the current global political climate?

Fighting the Empire: Unflinching Looks at Fascism

3:30pm-4:20pm

Many speculative works make use of vaguely fascist organizations/structures for their Big Bad, without necessarily examining the deeper realities of such a world (for example, the original Star Wars trilogy). Other works such as Andor, The Traitor Baru Cormorant, and An Unkindness of Ghosts, however, provide a more direct depiction of oppressive structures. Why is it important to have such depictions in our works, and what can be learned from them? How do we translate these learnings into the real world? What are some of the pitfalls and cautions when going to write realistic fascism/oppression?

Making It & Breaking It: Navigating A Career in Writing

5:00pm-5:50pm

It’s no secret that the writing world can be scary, and sometimes it seems to get more so every day. Beyond even dealing with rejection and imposter syndrome, how do writers avoid falling into various industry trash compactors? How do we look out for shady contracts, problematic publishers, and bad actors? What are the considerations with navigating AI/LLMs, reader interactions, and increasing industry pressures? How do writers hold onto their integrity and their sanity?

Change the World - with Dice!

6:30pm-7:20pm

TTRPGs provide a unique opportunity to play out scenarios within containers of community and rules, and fighting against some evil overlord is a well-worn storyline within them! But what is the relationship between game design (both on a structural and an individual level) and challenging status quo? How can games be a source of catharsis, or a safe space to play with revolutionary ideas, when current events seem overwhelming and scary?

Panelists and Moderators